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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/36742
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Title: | An Insight into the Green Deteriorated Paint Layers of the Maritime Station of Alcântara (Lisbon): An Archeometric Study |
Authors: | Gil, Milene Costa, Mafalda Dias, Luis Frade, José Carlos Vandenabeele, Peter |
Keywords: | Pintura Mural Almada Negreiros Pigmentos verdes Ciências do Património |
Issue Date: | Sep-2023 |
Abstract: | This study reports the first results of the analysis carried out in 2022 on deteriorated green
paint layers from the mural paintings made by Almada Negreiros at the Maritime Station of
Alcantara, in Lisbon (Portugal). These murals painted in 1945 are one of the most
emblematic painting sets done by the modernist artist and exhibit a bright chromatic palette
that displays different states of conservation, with the green paint layers particularly
damaged, showing severe flaking and powdering in the lightest shades.
To understand the decay phenomenon, in-situ and laboratory analyses were done in an
attempt to identify the green chromophores, the painting technique, and the decay agents
causing the visible degradation. The analytical setup comprised in-situ technical photography
(Vis, Vis-Rak, and UVF), handheld optical microscopy (h-OM), handheld energy dispersive
X-ray fluorescence (h-EDXRF), colorimetry, and spectrophotometry in the visible light range.
Microsamples of selected paint layers from deteriorated and stable green areas were
collected and further analysed in the laboratory by optical microscopy in visible and
ultraviolet modes (OM-UV-Vis), variable pressure scanning electron microscopy coupled
with energy dispersive spectrometry (VP-SEM-EDS), micro-X-ray diffraction (μ-XRD),
micro-Fourier-transform infrared spectroscopy (μ-FT-IR) and micro-Raman spectroscopy.
Results show the presence of both natural and industrial synthetic organic pigments, such as
green earths and PG8, used alone or in mixtures with other chromophores (e.g., Fe-based
yellow and red pigments, bone and carbon black, ultramarine blue, and the synthetic green
PG1 and the yellow PY1). Concerning the decay phenomena, the main hypothesis for the
powdering and flaking of the green paint layers is the activity of calcium sulphates (e.g.,
gypsum), which probably originated from both intrinsic and extrinsic sources and whose
presence was found to be widespread in all the microsamples analyzed. |
URI: | https://ijcs.ro/public/IJCS-23-78_Acevedo-Mejia.pdf http://hdl.handle.net/10174/36742 |
Type: | article |
Appears in Collections: | HERCULES - Publicações - Artigos em Revistas Internacionais Com Arbitragem Científica
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