|
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/21252
|
Title: | The mediating role of literary tour guides: José Saramago versus Mafra’s National Palace |
Authors: | Roque, Maria Isabel Oliveira, Marcelo Leal, Maria do Carmo Forte, Maria João Sousa, Sara Correia, Antónia |
Keywords: | Cultural tourism José Saramago Palácio de Mafra |
Issue Date: | 2016 |
Citation: | Oliveira, M., Leal, M. C., Roque, M. I., Forte, M. J., Sousa, S., & Correia, A. (2016). The mediating role of literary tour guides: José Saramago versus Mafra’s National Palace. Comunicação no ICOT 2016: New Challenges and Boundaries in Tourism: Policies, Innovations and Strategies: 6th International Conference on Tourism, International Association for Tourism Policy, Naples 29 Jun. - 2 Jul. 2016. |
Abstract: | Tour guides play a decisive role in mediating existing gaps in literary and cultural tourism, helping reconcile the appeal of literature with the material and immaterial heritage of destinations. The promotion and experience of Mafra and of its National Palace, former seasonal residence of the Kings of Portugal, based on the novel Baltasar and Blimunda, by Nobel Prize winner José Saramago, constitutes an extreme case, given the work’s clearly ideological stance and the author’s unorthodox narrative strategy. In order to ascertain the mediation strategies used by tour guides, a qualitative study was designed comprising participant observation of guided tours of the Palace and interviews with the guides involved. Although a challenge for tour guides, the contrasting stance provided by the novel, instead of an obstacle, proved to be highly productive in terms of the strategies used, allowing the guides a far greater discursive freedom than in more traditional visits. |
URI: | http://iatour.net/wp-content/uploads/2016/06/ICOT2016_BOOK_OF_ABSTRACTS_FINAL.pdf http://hdl.handle.net/10174/21252 |
Type: | article |
Appears in Collections: | CIDEHUS - Artigos em Livros de Actas/Proceedings
|
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
|