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http://hdl.handle.net/10174/18059
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Title: | A COMPARATIVE MULTI-TECHNIQUE INVESTIGATION ON MATERIAL IDENTIFICATION OF GILDING LAYERS AND THE CONSERVATION STATE OF 7 PORTUGUESE MANNERIST ALTARPIECES |
Authors: | Sandu, I Murta, E Ferreira, S Pereira, M Kuckova, S Valbi, V Dias, L Prazeres, C Cardoso, A Mirao, J Candeias, A |
Keywords: | Altarpiece Mannerist style carved gilded wood gilding techniques and materials comparative study conservation state |
Issue Date: | 2015 |
Publisher: | UAIC |
Citation: | (2015) A Comparative Multi-technique Investigation on Material Identification of Gilding Layers and the Conservation State of 7 Portuguese Mannerist Altarpieces; International Journal of Conservation Science; EID: 2-s2.0-84944328502 |
Abstract: | This paper deals with the multi-analytical comparative characterization of 59 samples of
gilded and polychrome layers from 7 altarpieces studied during the Gilt-Teller project
(www.gilt-teller.pt). The altarpieces studied here belong to seven churches in the areas of
Lisbon, Santarém, Portalegre and Guarda and display stylistic and constructive features
characteristic to the Mannerism carved wood decoration in Portugal. The applied protocol of
investigation characterized the structure and manufacture technique of gilding; identified the
chemical composition of the layers constituting the gilded polychrome decoration; compared
the materials and gilding techniques encountered in the 7 altarpieces and assessed the
conservation state of each altarpiece. The analytical techniques applied to these purposes
were: stereomicroscopy (SM), optical microscopy (OM), scanning electron microscopy
coupled with energy dispersive X-ray spectrometry (SEM-EDX), X-ray diffraction (XRD),
MALDI-TOF mass spectrometry, μRaman and μFTIR/imaging μFTIR spectroscopies. This
interdisciplinary multi-scale approach was used to elucidate the aspects related to the material
and technical aspects of “talha dourada” decoration, answering to these questions: which are
the original materials and layers in the making of the polychromy and which are the ones
added with posterior interventions; which are the relationships between gilding materials and
techniques, regarding the degree of erudition of each case study; which were the main causes
of degradation and influence to their conservation condition? |
URI: | http://hdl.handle.net/10174/18059 |
Type: | article |
Appears in Collections: | HERCULES - Publicações - Artigos em Revistas Internacionais Com Arbitragem Científica
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