|
|
/
Browsing by Subject pigments
Showing results 1 to 15 of 15
| Issue Date | Title | Author(s) | | 2016 | 19th c. Coloured stuccos and plasters from Grilos' Church (Oporto, Portugal): Materials and techniques employed | Salavessa, E; Candeias, A; Mirao, J; Sousa, L; Duarte, N; Jalali, S; Salgueiro, J |
| 2015 | Are they fresco paintings? Technical and material study of Casas Pintadas of Vasco da Gama house in Évora (Southern Portugal). | Gil, M; Rosado, R; Ribeiro; Pestana; Caldeira, A T; Carvalho, L; Dias, L; Mirão, J; Candeias, AJ |
| 2010 | Characterization of Japanese color sticks by energy dispersive X-ray fluorescence, X-ray diffraction and Fourier transform infrared analysis | Manso, M.; Valadas, S.; Pessanha, S.; Guilherme, A.; Queralt, I.; Candeias, A.E.; Carvalho, M.L. |
| Feb-2011 | Colour Assays: An Inside Look into Alentejo Traditional Limewash Paintings and Coloured Lime Mortars | Gil, M.; Aguiar, J.; Seruya, A.; Veiga, R.; Carvalho, L.; Vargas, H.; Mirao, J.; Candeias, A. |
| 2012 | DATA MINING ANALYSIS OVER A DATABASE OF MATERIALS OF PORTUGUESE PAINTINGS FROM THE 15TH AND 16TH CENTURIES | Antunes, Vanessa; Anunciação, Orlando; Candeias, Antonio; Seruya, Ana Isabel |
| 18-Jun-2022 | Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century | Melo, Helena; Cruz, António João; Sanyova, Jana; Valadas, Sara; Cardoso, Ana Margarida; Candeias, António |
| 2022 | Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments | Melo, Helena P.; Valadas, Sara; Cruz, António João; Cardoso, Ana Margarida; Miguel, Catarina; Manhita, Ana; Helvaci, Yiğit Zafer; Barrocas Dias, Cristina; Candeias, António |
| 2016 | José de Escovar at the Chapel of the Souls: Technical and Material Study of a 1603 Panel Painting | Gil, Milene; Pereira, Catarina; Relvas, Cátia; Nunes, Margarida; Pessanha, Sofia; Cardoso, Ana; Antunes, Vanessa; Monteiro, Patríica; Ferreira, Teresa |
| 2013 | Material and diagnostic characterization of 17th century mural paintings by spectra-colorimetry and SEM-EDS: An insight look at José de Escovar workshop at the CONVENT of Na Sra da Saudação (Southern Portugal) | Gil, M; Serrão, V; Carvalho, ML; Longelin, S; Dias, L; Cardosa, A; Caldeira, A Teresa; Rosado, T; Mirão, J; Candeias, A E |
| 2017 | Multi-analytical study of ceramic pigments application in the study of Iron Age decorated pottery from SW Iberia | Rosado, L; Van Pevenage, J; Vandenabeele, P; Candeias, A; Conceição Lopes, M; Tavares, D; Alfenim, R; Schiavon, N; Mirão, J |
| 2014 | Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM-EDS | Ginja Teixeira, Jorge; Martins Teixeira, Dora; Mirão, José; Candeias, António J.; Simões Rodrigues, Paulo; Veiga, Alfredina |
| Sep-2022 | The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting | António João, Cruz; Helena P., Melo; Sara, Valadas; Catarina, Miguel; António, Candeias |
| 2016 | Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) | Helvaci, Y; Dias, L; Manhita, A; Martins, S; Cardoso, A; Candeias, A; Gil, M |
| 2021 | Tributos aos deuses: Os Ídolos em contextos funerários da Pré-História Recente no Sul de Portugal | Rocha, Leonor |
| 2019 | Understanding the influence of microbial contamination on colour alteration of pigments used in wall paintings – The case of red and yellow ochres and ultramarine blue | Rosado, Tânia; Gil, Milene; Mirão, José; Candeias, António; Caldeira, Teresa |
Showing results 1 to 15 of 15
|
