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    <dc:date>2026-04-06T02:02:09Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/10174/41527">
    <title>A Cinematic Perspective on the Walk Immemorial - Steps in Captivity</title>
    <link>http://hdl.handle.net/10174/41527</link>
    <description>Title: A Cinematic Perspective on the Walk Immemorial - Steps in Captivity
Authors: Antunes, Carlos Nicolau; Antunes, Rui Filipe
Abstract: Abstract&#xD;
The way light is captured on film emulates&#xD;
the physics of looking. An essential part of the&#xD;
cinematographic process is a derivation of the human&#xD;
act of being and looking at the world. And in fact, many&#xD;
shots and the language of cinema also inherit from the&#xD;
human body and its movement, that particular way&#xD;
of perceiving the world. If in cinema the spectator’s&#xD;
body is fixed and relatively static, scrutinizing the&#xD;
surface of the screen, and delegating the movement&#xD;
to the camera and subsequent editing, in the walk the&#xD;
spectator’s body participates in the movement, almost&#xD;
like a dolly camera in continuous recording. O flanêur&#xD;
de Paris is symptomatic in its peculiar way of observing&#xD;
and exploring the urban landscape.&#xD;
In this paper we will analyze parallels between&#xD;
the walk and the cinematographic language, using&#xD;
for that the performative walk, Imemorial - Steps in&#xD;
captivity, which took place in Lisbon between March&#xD;
and July 2022. The spectators/participants went&#xD;
through the walk immersed in a soundscape, a mix of&#xD;
narration, ambient sound and music that they listened&#xD;
to through noise reduction headphones connected&#xD;
to mp3 players. A guide/performer, the cicerone,&#xD;
led the groups through Lisbon’s riverfront, guiding&#xD;
the participants’ gaze through gestures and small&#xD;
performative actions. Using as inspiration and starting&#xD;
point a work in progress version of the walk in video&#xD;
film, we will highlight these parallels through a fusion&#xD;
between the gaze of the walking spectator and the&#xD;
camera. Can we speak of an expanded walk?</description>
    <dc:date>2023-07-15T23:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/10174/36930">
    <title>A poesia sonora de Américo Rodrigues: uma invenção animal, gutural, poemal</title>
    <link>http://hdl.handle.net/10174/36930</link>
    <description>Title: A poesia sonora de Américo Rodrigues: uma invenção animal, gutural, poemal
Authors: Ferreira, José Alberto
Abstract: Américo Rodrigues é o mais vibrante, prolífico, desafiante e radical representante portugês da poesia sonora. Este texto percorre a sua obra discográfcia (8 discos) e caracteriza genericamente o seu trabalho. Foi lido na apresentação pública da sua mais recente publicação, AcTO da FALhA, a 7 de maio de 2024, na Casa Fernando Pesssoa, em Lisboa.</description>
    <dc:date>2024-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/10174/28065">
    <title>Doze tópicos para uma edição francesa da História Trágico-Marítima</title>
    <link>http://hdl.handle.net/10174/28065</link>
    <description>Title: Doze tópicos para uma edição francesa da História Trágico-Marítima
Authors: Zurbach, Christine
Editors: Leal, Maria Luisa; Martins, José Cândido de Oliveira
Abstract: A tradução renova o quadro de interpretação e de recepção das obras ao longo da História. O estudo de caso abordado no artigo descreve aspectos da publicação recente de três narrativas de naufrágios inseridos na História Trágico-Marítima com destaque para aspectos particulares do  processo de antologização.</description>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/10174/25029">
    <title>Diablerie: in memoriam Manuel João Gomes</title>
    <link>http://hdl.handle.net/10174/25029</link>
    <description>Title: Diablerie: in memoriam Manuel João Gomes
Authors: Ferreira, José Alberto
Abstract: Reflexão sobre a crítica teatral em Portugal e sobre o percurso e o exercício crítico de Manuel João Gomes no jornal O Público.</description>
    <dc:date>2018-01-01T00:00:00Z</dc:date>
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