http://hdl.handle.net/10174/1035 2026-04-09T06:59:45Z 2026-04-09T06:59:45Z Amaral, Pedro http://hdl.handle.net/10174/40678 2026-02-03T15:37:29Z 2024-04-30T23:00:00Z

Title: Las óperas de Péter Eötvös: drama, comedia y sueño en 13 actos Authors: Amaral, Pedro Editors: Lluna, Joan Enric Abstract: En 1966, a los 22 años de edad, Péter Eötvös deja Hungría y parte hacia Colonia, donde completará la última etapa de su formación e iniciará, poco después, su extraordinaria aventura profesional como intérprete y compositor. Apasionado por las artes escénicas, había colaborado en los escenarios desde su adolescencia, en Budapest, escribiendo música para teatro y cine. Pero fue en Colonia donde compondría sus primeras piezas autónomas, Harakiri y Radames, dos “óperas-miniatura” que involucraban escasos recursos, en la línea del Teatro Pobre de Grotowski.

2024-04-30T23:00:00Z Amaral, Pedro http://hdl.handle.net/10174/40671 2026-02-03T15:12:43Z 2024-04-30T23:00:00Z

Title: Cantos de Sereia Authors: Amaral, Pedro Abstract: Composto em 2020, Sirens’ Song é um painel sinfónico num só andamento, com cerca de doze minutos de duração, escrito para uma orquestra de dimensão média: três flautas, dois oboés e corne inglês, dois clarinetes e clari- nete baixo, dois fagotes e contrafagote, duas trompas, duas trompetes, dois trombones, dois percussionistas e cordas.

2024-04-30T23:00:00Z Lopes, Eduardo Wang, Yudan http://hdl.handle.net/10174/40582 2026-01-26T01:10:58Z 2025-12-01T00:00:00Z

Title: METAPHORIC THINKING IMAGERY IN NOCHES EN LOS JARDINES DE ESPAÑA Authors: Lopes, Eduardo; Wang, Yudan Editors: Ros-Fábregas, Emilio Abstract: This article provides an in-depth analysis of the metaphorical dimensions and cross-modal interactions in Manuel de Falla’s musical composition Noches en los Jardines de España. The study employs Nicholas Cook’s theoretical framework, which focuses on three modes of interaction: conformance, complementation, and contest. It investigates how Falla’s innovative use of Spanish folk music elements, mimetic sound-image relationships, and cyclical structures generates a complex metaphorical imagery that evokes vivid imagery, cultural associations, and emotional resonances through purely instrumental means. The article situates Falla’s metaphorical language within the artistic and cultural context of early twentieth-century Spain, shedding light on his role in negotiating between tradition and modernist innovation. By applying Cook’s theory to the realm of instrumental music, the study challenges traditional notions of music as a self-contained art form. It highlights the inherent cross-modal nature of musical language and emphasizes the listener’s active role in constructing and interpreting musical metaphors. The analysis underscores the significance of sensory correspondences in shaping the overall musical experience.

2025-12-01T00:00:00Z Pescada, Gonçalo http://hdl.handle.net/10174/39036 2025-07-22T10:38:13Z 2023-08-02T23:00:00Z

Title: The Accordionist Profile in the Work Asas by Christopher Bochmann Authors: Pescada, Gonçalo Abstract: O acordeão, aerofone portátil inventado e patenteado em 1829 por Cyrill Damian na Áustria, surge no século XXI como um dos instrumentos mais versáteis da história da música. Diversos fatores contribuem para essa conexão: portabilidade, sonoridade multitimbre, capacidade de tocar melodia e acompanhamento, possibilidade de executar contraponto, independência de mãos, entre outras características. Nesse contexto, a segunda metade do século XX foi crucial para um desenvolvimento sem precedentes tanto em termos organológicos, interpretativos e composicionais. A versatilidade do acordeão estende-se hoje da música popular e tradicional à música contemporânea, passando pelo jazz. No campo da transcrição de obras, as características do acordeão permitem a aproximação de obras dos períodos barroco, clássico, romântico, entre outros, seja em solo ou em música de câmara. Asas, obra para acordeão, voz soprano, saxofone, viola e violoncelo composta por Christopher Bochmann é um bom exemplo da integração do acordeão no panorama da música contemporânea e na relação performática com outros instrumentos.The Accordion, portable aerophone invented and patented in 1829 by Cyrill Damian in Austria, emerges in the 21st century as one of the most versatile instruments in the history of music. Several factors contribute to this connection: portability, multi-timbral sound, ability to play melody and accompaniment, possibility of performing counterpoint, independence of hands, among other characteristics. In this context, the second half of the 20th century was crucial for an unprecedented development both in organological, interpretative and compositional terms. The Accordion versatility extends today from popular and traditional music to contemporary music, passing through Jazz. In the field of transcribing works, the accordion's features allow you to approach works from the Baroque, Classical, Romantic periods, among others, either solo or in chamber music. Asas, a work for Accordion, Soprano Voice, Saxophone, Viola and Cello composed by Christopher Bochmann is a good example of the integration of the Accordion in the panorama of contemporary music and in the performative relationship with other instruments.

2023-08-02T23:00:00Z