<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/10174/933" />
  <subtitle />
  <id>http://hdl.handle.net/10174/933</id>
  <updated>2026-04-04T04:56:54Z</updated>
  <dc:date>2026-04-04T04:56:54Z</dc:date>
  <entry>
    <title>Quantos idiomas pode "falar" uma guitarra?</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/39974" />
    <author>
      <name>Postiga, José Luis</name>
    </author>
    <id>http://hdl.handle.net/10174/39974</id>
    <updated>2025-12-18T17:44:58Z</updated>
    <published>2025-02-06T00:00:00Z</published>
    <summary type="text">Title: Quantos idiomas pode "falar" uma guitarra?
Authors: Postiga, José Luis
Abstract: O artigo publicado no jornal "O Regional" reflete o concerto por Dejan Ivanovich na Academia de Música de São João da Madeira, realizado no dia 02 de fevereiro de 2025.</summary>
    <dc:date>2025-02-06T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Enobrecer a Alma</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/33823" />
    <author>
      <name>Ivanovic, Dejan</name>
    </author>
    <id>http://hdl.handle.net/10174/33823</id>
    <updated>2023-02-03T09:22:29Z</updated>
    <published>2021-12-01T00:00:00Z</published>
    <summary type="text">Title: Enobrecer a Alma
Authors: Ivanovic, Dejan
Abstract: Breve texto sobre os efeitos da música na mente e corpo</summary>
    <dc:date>2021-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Vocal energy vs. vocal tension</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/27029" />
    <author>
      <name>Santos, Marcos</name>
    </author>
    <id>http://hdl.handle.net/10174/27029</id>
    <updated>2020-02-18T14:34:16Z</updated>
    <published>2018-12-30T00:00:00Z</published>
    <summary type="text">Title: Vocal energy vs. vocal tension
Authors: Santos, Marcos
Editors: Fawcett, Jennifer
Abstract: As both a professional singer and a teacher of singers, I have experienced voice lessons in a great variety of settings worldwide, and it has been my observation that one regularly hears the same concepts and ideas addressed and discussed in many ways. These concepts include breathing technique (diaphragmatic vs. abdominal), position of the soft palate (high and lifted vs. vowel dependent), body posture, relaxation, etc. It is as critically important for singers to avoid tension in their bodies as it is to avoid an overly relaxed body—one which is devoid of the energy necessary to produce a sound that is rich with harmonics and capable of projecting in ensembles or over an orchestra in a large hall.</summary>
    <dc:date>2018-12-30T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Momente ou o Paradigma da Forma</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/4878" />
    <author>
      <name>Amaral, Pedro</name>
    </author>
    <id>http://hdl.handle.net/10174/4878</id>
    <updated>2012-02-02T15:10:26Z</updated>
    <published>2011-11-10T00:00:00Z</published>
    <summary type="text">Title: Momente ou o Paradigma da Forma
Authors: Amaral, Pedro
Abstract: Análise da arquitectura formal de "Momente", de Karlheinz Stockhausen.</summary>
    <dc:date>2011-11-10T00:00:00Z</dc:date>
  </entry>
</feed>

