http://hdl.handle.net/10174/1612 2026-04-17T03:44:41Z 2026-04-17T03:44:41Z Santos, Marcos http://hdl.handle.net/10174/41792 2026-04-15T10:13:41Z 2025-12-10T00:00:00Z

Title: The Functioning of the Light Mechanism in the High Register of the Tenor Voice – A Case Study Authors: Santos, Marcos Editors: RUCSANDA, Madalina Abstract: The tenor voice represents a complex control of muscles, including larynx, tongue, breathing process and vocal cords closure among many others. The schools of teaching the high register have a diverse approach: one more centered in carrying the chest voice and other with less chest voice. The light mechanism in the tenor voice refers to a phonatory strategy characterized by reduced mass and lowered tension in the vibrating portion of the vocal folds, coupled with modifications in vocal tract configuration and glottal adduction, to produce a brighter, more agile timbre, especially in upper tessitura. This mechanism is often opposed to the “heavy” or chest-dominant mechanism, which emphasizes thicker folds, higher glottal closure, and a denser sound. In tenors, transitions such as the passaggio (the region of register shift) demand precise control over this mechanism: research shows that adjustments in epilaryngeal constriction, laryngeal height, jaw and lip opening, and vowel shaping contribute significantly to maintaining continuity of tone and avoiding abrupt breaks. New studies have revealed that the more chest voice you used the heavier and with effort is your emission. But is it through developing head voice with chest mix that helps? This article tries to find an answer by collecting new information and appliance in vocal students and interviews to make a conclusion.

2025-12-10T00:00:00Z Cantinho, Beatriz Dinger, Sofia http://hdl.handle.net/10174/41671 2026-03-13T10:19:52Z 2026-01-01T00:00:00Z

Title: FREEWILL – Afectos da liberdade: Kit de práticas e outras coisas úteis Authors: Cantinho, Beatriz; Dinger, Sofia Editors: Pais, Ana Abstract: A liberdade parece uma conquista garantida. Será? Votamos,expressamo-nos, escolhemos. Vivemos em democracia e também ela nos pode parecer um dado adquirido. Será? Pensamos, sentimos e acreditamos que quem nos representa no parlamento entende os princípios de liberda- de e igualdade como um direito de todos. Mas tanto a liberdade quanto a democracia são frágeis. Princípio fundador da democracia, a liberdade é um valor comum, não um privilégio individual. A liberdade não é apenas o que fazemos ou dizemos, é também um sentimento partilhado de alegria, uma sensação de expansão, uma vibração colectiva. Esse sentimento é precioso. Encoraja-nos a perse- guir os nossos desejos e a imaginar um mundo mais justo, mais acolhedor e mais fraterno. A liberdade é também um espaço interior onde, em princípio, somos livres de sentir, de pensar. Mas quando usamos a capacidade que temos de fazer escolhas em função da nossa vontade ou do nosso desejo, para tomar deci- sões, muitas vezes esquecemos que a liberdade está sempre condicionada por diversos factores externos: o que os outros dizem nas redes sociais, o que os meus amigos, colegas ou familiares pensam, mas também o que ouvimos na escola, na rádio e na televisão, as fake news, a manipulação emocional, a polarização. Como me sinto e me posiciono neste turbilhão de informação?

2026-01-01T00:00:00Z Solmer, Antonino Nogueira, Inês http://hdl.handle.net/10174/41566 2026-02-27T16:19:03Z 2022-04-30T23:00:00Z

Title: Manual de Teatro Authors: Solmer, Antonino; Nogueira, Inês Abstract: Cronologia de autores de Teatro, o que é encenação, cenografia. Como usar o Som, a Voz. Figurinos. História do Teatro.

2022-04-30T23:00:00Z Antunes, Carlos Nicolau Antunes, Rui Filipe http://hdl.handle.net/10174/41527 2026-03-02T09:42:23Z 2023-07-15T23:00:00Z

Title: A Cinematic Perspective on the Walk Immemorial - Steps in Captivity Authors: Antunes, Carlos Nicolau; Antunes, Rui Filipe Abstract: Abstract The way light is captured on film emulates the physics of looking. An essential part of the cinematographic process is a derivation of the human act of being and looking at the world. And in fact, many shots and the language of cinema also inherit from the human body and its movement, that particular way of perceiving the world. If in cinema the spectator’s body is fixed and relatively static, scrutinizing the surface of the screen, and delegating the movement to the camera and subsequent editing, in the walk the spectator’s body participates in the movement, almost like a dolly camera in continuous recording. O flanêur de Paris is symptomatic in its peculiar way of observing and exploring the urban landscape. In this paper we will analyze parallels between the walk and the cinematographic language, using for that the performative walk, Imemorial - Steps in captivity, which took place in Lisbon between March and July 2022. The spectators/participants went through the walk immersed in a soundscape, a mix of narration, ambient sound and music that they listened to through noise reduction headphones connected to mp3 players. A guide/performer, the cicerone, led the groups through Lisbon’s riverfront, guiding the participants’ gaze through gestures and small performative actions. Using as inspiration and starting point a work in progress version of the walk in video film, we will highlight these parallels through a fusion between the gaze of the walking spectator and the camera. Can we speak of an expanded walk?

2023-07-15T23:00:00Z