http://hdl.handle.net/10174/633 Mon, 09 Nov 2026 16:00:09 GMT 2026-11-09T16:00:09Z http://hdl.handle.net/10174/42701 Title: Corpo - Penumbra // Corpo Estrutural Por Germinar. Authors: Santos, Telma João Editors: Freire, Patrícia Abstract: Assumindo a penumbra como transição entre luz e sombra, como um estado de corpo parcialmente iluminado por um outro corpo luminoso cujos raios são, em parte, intercetados por um corpo opaco, mas também como ausência de reconhecimento, este texto propõe uma imagética não conforme da penumbra como lugar iluminado e interseccional no contexto das artes performativas e, em particular, da (arte da) performance. Afirmo o corpo-penumbra como corpo que viaja, não da margem para o centro nem do centro para a margem, mas que se organiza de forma multicêntrica, não só como corpo performativo, mas como corpo estrutural por germinar. Sat, 01 Jan 2022 00:00:00 GMT http://hdl.handle.net/10174/42701 2022-01-01T00:00:00Z http://hdl.handle.net/10174/42690 Title: Local Estimates for Minimizers, Embodied Techniques and (Self) Re-presentations Within Performance Art Authors: Santos, Telma João Editors: Emmer, Abate, M. M. Abstract: Connections between art and science are not a new landscape within contemporary research, especially in applications. In particular, connections between mathematics and art have been explored, settled, shared and developed by many authors in journals as Leonardo, Mathematics and the Arts, and conference books as Imagine Maths, among others. It is fascinating to witness the proliferation of intersectional works, where boundaries between artistic work and scientific research are blurred. It is in this blurring boundaries’ landscape that I enclose the work presented here, where autobiography is an important intersectional tool. Wed, 07 Oct 2020 23:00:00 GMT http://hdl.handle.net/10174/42690 2020-10-07T23:00:00Z http://hdl.handle.net/10174/42271 Title: Universidade e Arte. Ensino e Investigaçao. Bonecos de Santo Aleixo e Teatro Dom Roberto Authors: Zurbach, Christine Editors: Vasconcelos Vilar, Hermínia; Marujo, Noemi Abstract: O texto apresenta alguns aspectos relevantes par a caracterização da relação entre investigação e artes no âmbito privilegiado proporcionado pela Universidade de Évora. As matérias tratadas incidem em formas tradicionais do teatro de marionetas em Portugal; os Bonecos de Santo Aleixo e o Teatro Dom Roberto. Thu, 30 Apr 2026 23:00:00 GMT http://hdl.handle.net/10174/42271 2026-04-30T23:00:00Z http://hdl.handle.net/10174/42057 Title: Brave Women. The path of a collaborative dramaturgy between the stones of the city and the boards of the theatre Authors: Bezelga, Isabel Editors: Lima, Evelyn; Drago, Niuxa; Lyra, Carolina Abstract: his chapter aims to discuss issues related to the project As Bravas: silenced voices and female invisibility, developed within the scope of the research we are conducting at the Centre for Art History and Artistic Research (CHAIA), at the University of Évora, Portugal. Continuing our research on Performance, heritage and community, we focused on performative creation as a way of questioning the historical invisibility of women, giving space and voice to the silences that span centuries, deepening the processes of collaborative dramaturgy, not only as a method of sharing authorship, but as a political and poetic gesture of reinscribing collective memory. Thu, 30 Apr 2026 23:00:00 GMT http://hdl.handle.net/10174/42057 2026-04-30T23:00:00Z