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http://hdl.handle.net/10174/30544
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Title: | Two mid-sixteenth-century Cecilian parody masses |
Authors: | Henriques, Luís |
Keywords: | música musicologia polifonia música sacra Pierre Certon Pierre Clereau motete missa paródia século XVI técnica de paródia |
Issue Date: | 22-Nov-2021 |
Publisher: | Canto Mensurable editions |
Citation: | Henriques, Luís. "Two mid-sixteenth-century Cecilian parody masses". Canto Mensurable blog (2021-11-22). https://cantomensurable.hcommons.org/cecilian-parody-masses/ | Henriques, Luís. "Two mid-sixteenth-century Cecilian parody masses". Canto Mensurable blog, vol. 1 (2021), pp. 49-59. ISSN 2184-9307 |
Abstract: | Musical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century and throughout the sixteenth century. Of the many composers who wrote music for this festivity we find four mid-sixteenth-century compositions by French composers. Two motets Cantantibus orgnis and Cecilia virgo gloriosa - by Pierre Certon which served as models for two parody masses (with same titles as the models) by Pierre Clereau. This text examines both models and the respective masses with a glimpse at the parody procedures used by Clereau in his works. |
URI: | https://cantomensurable.hcommons.org/cecilian-parody-masses/ http://hdl.handle.net/10174/30544 |
Type: | article |
Appears in Collections: | CESEM - Publicações - Artigos em Revistas Nacionais Sem Arbitragem Científica
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